We’ll Be Fine by Drake Lyrics Meaning – Decoding Aubrey’s Ode to Resilience and Opulence

You can view the lyrics, alternate interprations and sheet music for Drake's We'll Be Fine at Lyrics.org.

Lyrics

Yeah, never thoughts of suicide, I’m too alive
But I still treat it likes it’s do or die
Even though dying isn’t in the plans
But neither was making it and here I am
In the presidential do you like your new room?
Always presidential and tonight’s no blue moon
Since I saw Aliyah’s precious life go too soon
She deserve the credit for how I’m about to get it
That’s why I got a new dumb thing moving through the street
Got a new condo, move it to the beach
Heard Nicki just bought a brand new crib
Goddamn man she’s beauty and the beast (Lord)
Seems like yesterday that I was up and coming
Still so young that I ain’t had enough of nothing

The fam here, the drink here, the girls here?
Well, fuck, let’s get it then

Uh, I’m tryna let go of the past
Should we make this one a double?
You ain’t even gotta ask, ah
Because it’s hard to say no (say no)
Yeah, it gets hard to say no
Are you down, are you down? Yeah, you all the way down
Every time, every time, every time, every time
Am I down, am I down? Yeah, I’m all the way down
We’ll be fine, we’ll be fine, we’ll be fine, we’ll be fine
Are you down, are you down? Yeah, you all the way down
Every time, every time, every time, every time
Am I down, am I down? Yeah, I’m all the way down
We’ll be fine, we’ll be fine, we’ll be fine, we’ll be fine

Yeah, used to make us proud we had dreams of getting bigger man
Loved you until now, but now I’m the nigga man
You keep talking how “You was this and you had this”
And you deserve some fucking credit how did anyone forget it
Got a show up in your city, yo girl is in the line
And the line around the corner it’s my motherfucking time
You should take it as a sign, man I got it right now
I wouldn’t doubt it ’cause these bitches all about it right now
Let’s be real about this shit, can I take you home?
Or come to where you stay? Do you live on your own?
I heard you got your ways, I never would have known
She said “you’re such a dog” I say “you’re such a bone”
I’ve been everywhere, where you know me from?
These days women give it to me like they owe me one
But they crave attention though they always saying “Show me something”
But girl you ain’t the only one that’s tryna be the only one
At least I admit that, if you get that, and you with that
Then, fuck, let’s get it then

Uh, I’m tryna let go of the past
Should we make this one a double?
You ain’t even gotta ask, ah
Because it’s hard to say no (say no)
Yeah, it gets hard to say no
Are you down, are you down? Yeah, you all the way down
Every time, every time, every time, every time
Am I down, am I down? Yeah, I’m all the way down
We’ll be fine, we’ll be fine, we’ll be fine, we’ll be fine
Are you down, are you down? Yeah, you all the way down
Every time, every time, every time, every time
Am I down, am I down? Yeah, I’m all the way down
We’ll be fine, we’ll be fine, we’ll be fine, we’ll be fine

Yeah! Drizzy, yo turn, nigga
Take Care of the business, nigga (shine on these niggas)
Give these niggas the business, nigga
Kill spray anything in the way, nigga, fuck ’em, we don’t love ’em
Yeah, it’s just that Uptown gangsta shit
Toronto, stand up for one of the realest niggas
Drizzy, with the realest flow, y’know?
Toast to this gangsta shit (to this gangsta shit)
OVO YMCMB (believe that)
Yeah, you understand me?
Playing with these motherfucking millions like they ain’t nothing
Throwin’ hundreds, rubber band stacks, yeah
That YMCMB shit, nigga, flashy lifestyle
One hundred

In the pantheon of Drake’s musical oeuvre, ‘We’ll Be Fine’ represents more than just a fleeting moment of braggadocio or wealth-flaunting; it’s a lyrical tapestry interwoven with themes of perseverance, nostalgia, and the immutability of change. The song, which comes off his sophomore album ‘Take Care’, paradoxically juxtaposes the highs of fame against a backdrop of personal battles and the universal fight against the ephemerality of life.

If Drake’s music is a pulsating narrative of his journey, ‘We’ll Be Fine’ is a confident declaration that the voyage, regardless of its inherent challenges, will ultimately lead to a destination of success and stability. In the dissection that follows, we’ll embark on an expedition to uncover the deeper meanings of Drake’s verses, both evident and obscure, and how they reflect the artist’s relationship with fame, mortality, and the push-pull of ambition and contentment.

The Prescience of Ambition: A Dive into the Pursuit of More

Ambition fuels Drake’s narrative engine. He opens the track with stark imagery, a brush with thoughts of suicide juxtaposed abruptly with the unwavering insistence on survival—’But I still treat it likes it’s do or die’. This line is emblematic of Drake’s all-or-nothing approach to success. While acknowledging that death is not in his plans, he equates the ferocity with which he confronts life to a do-or-die situation, communing the sentiment that reaching his zenith isn’t an option; it’s an imperative.

‘But neither was making it and here I am,’ he raps, suggesting the unexpected nature of his success. It’s a notable admission from an artist often criticized for boasting, as he credits not just his tenacity but also the serendipity of fate.

Reverence and Remembrance: Aliyah’s Lasting Influence on Aubrey

Drake pauses the revelry in his success to pay homage to Aliyah, an icon gone too soon whose impact on him is indelible—’Since I saw Aliyah’s precious life go too soon, She deserve the credit for how I’m about to get it.’ With these lines, Drake acknowledges the influences that helped shape his artistic identity, underlining the importance of remembering and honoring those who carve out the paths we later tread on.

This introspective halt in the pulse of the song offers a moment of vulnerability and introspection seldom seen among the sometimes superficial glitter of the hip-hop world. It’s a poignant reminder of the humanity that persists beneath the facade of celebrity.

The Gravity of Legacy: Wrestling with Past and Expections

Much of ‘We’ll Be Fine’ contemplates Drake’s shifting relationship with the past. ‘I’m tryna let go of the past,’ he raps, acknowledging the futility of holding onto bygone days. Yet, he also confronts the converse reality—those who cling to their history with him, touting their former closeness and shared memories, now that he’s the ‘nigga man’.

By examining these dichotomies, Drake unravels the expectations placed on him both by his younger self—filled with unmet dreams and nascent hopes—and by those who knew him before fame. His music becomes a vessel for reconciling these strands, for liberating himself from the weighty chains of what was and steering toward what will be.

Deciphering the Enigma: The Hidden Meaning of ‘We’ll Be Fine’

The chorus offers a mantra-like repetition that works on multiple levels—’We’ll be fine, we’ll be fine, we’ll be fine, we’ll be fine.’ This is the hidden gem that shines with a message of assurance amidst uncertainty. It speaks to the collective psyche that Drake taps into, where each individual undergoes their tribulations and seeks comfort in this conviction of future stability.

These words, though simple, are a powerful incantation against the chaos of life. They echo the human desire for belonging and the need to believe in a future that holds firm despite the tremors. It’s Drake’s way of telling us that no matter the trials, the fear of failure, and the pressure of success, the essence of our journey is about resilience and the shared faith that in the end, indeed, ‘We’ll be fine.’

Through the Hourglass: ‘We’ll Be Fine’ and Its Most Memorable Lines

‘Loved you until now, but now I’m the nigga man,’ Drake asserts in a line that speaks volumes about his rise to fame and the subsequent shift in his relationships. It’s a nod to his past—the naïve hopes and the early bonds—and a stark confrontation with the present, where success redefines acquaintance.

While the track brims with quotable musings, lines like ‘These days women give it to me like they owe me one’ and ‘Playing with these motherfucking millions like they ain’t nothing’ are laced with the brash bravado characteristic of Drake’s style. Yet, they underscore the material and social bounty that accompanies his status, painting a picture of a man who has not only achieved his dreams but now wrestles with their reality.