Buried Alive Interlude – Unearthing the Emotional Complexity of Stardom

You can view the lyrics, alternate interprations and sheet music for Drake's Buried Alive Interlude at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Trapped Inside Fame’s Gilded Cage
  5. Intimate Confessions and Suicidal Metaphors
  6. The Velvet Rope: Unveiling the Hidden Meanings
  7. Swallowed by the Matrix: The Unreal Reality of Stardom
  8. Memorable Lines that Echo in the Chamber of Pop Culture


If you was in a pine box (box)
I would surely break the lock
I’d jump right in an-and fall asleep (I fall asleep)
‘Cau-‘cau-’cause you are the death of me (’cause you are)
If you was in a pine box (box)
I would surely break the lock
I’d jump right in an-and fall asleep (I fall asleep)
‘Cau-‘cau-’cause you are the death of me
‘Cause you are, the-the death of me, you-you, the death of me

Lookin’ in the mirror, I’m embarrassed
I’m feelin’ like a suicidal terrorist
React like an infant whenever you are mentioned
Mind over matter never worked for my nemesis
I’m in the matter of man arm wrestlin’ hands I was dealt
When I said the music business was all I needed
When I got it I was greeted by an alien
That said last year that she slept with a Canadian
That gave him an addiction that’d keep him in Mercedes Benz
Bright lights and Rihanna as a lady friend
My vice is similar, women love when you’re my type
And you’re winnin’ from everything that your palm write
Put her in the Palms Hotel, Sin City
Devil in a dress, Platinum Chanel, live the ambiance all
‘Cause the audience one day said I would do it
So instead of a verse bein’ read
I’ma go and get some head off the strength of my music
I tell a bad bitch yo’ ass too fat, Capitalize That
And your weave look good with the Indian tracks
Trackin’ device on your used 5 series
I don’t call back, just blame it on your Canadian
The same day we say were in the area cruisin’ in Toronto
Hit me on the cellular thought he was gonna sell me
A false word like the rappers I know
Sat down with a few drinks, located where you can’t see us
A white waitress on standby when we need her
A black Maybach, 40 pulled up Jeep
No doors, all that nigga was missin’ was Aaliyah
Felt like the initiation, a reality livin’ in the matrix
We talk casually about the industry
And how the women be the taste makers for the shit we makin’
Then he said that he was the same age as, myself
And it didn’t help ’cause it made me even more rude and impatient
So blame it on Mr. OVOXO
The reason why I’m breathin’ all the vanity I know
The reason why my best friend said she love me more than life
But I live a double life and need to let her go
The reason why the highlight was when he said
You belong to the people when you’re outside
So dig a shovel full of money, full of power, full of pussy
Full of fame and bury yourself alive, then I died

Full Lyrics

In the labyrinth of Drake’s expansive discography lies a chest of raw, confessional verses – ‘Buried Alive Interlude’ in particular drills into the psyche of an artist caught in the throes of fame, love, and self-destruction. The track, nestled in the larger narrative of Drake’s sophomore album ‘Take Care’, serves as an emotional intermission and a thematic deep-dive into the Canadian rapper’s internal conflicts.

Much like a literal interlude provides a moment of respite in a musical composition, ‘Burried Alive Interlude’ allows listeners to steep in the heavier aspects of Drake’s reality as fame engulfs him. The interlude becomes a canvas for the inner monologue that fame often silences, crafting a poignant dialogue that fans and critics have dissected for deeper meaning. Let’s tunnel into the archaeology of Drake’s psyche through the lines of ‘Buried Alive Interlude’.

Trapped Inside Fame’s Gilded Cage

Drake paints fame as both an irresistible lure and a suffocating trap. The interlude’s inception metaphorically speaks to a desire to be closer to a part of himself that is ultimately self-destructive, as he sings about breaking into a pine box to be with the very entity that signifies his demise, ’cause you are the death of me’. The ‘you’ here is interpreted as fame itself, a relationship Drake finds both necessary and fatally alluring.

The imagery of willingly entering one’s own coffin parallels how artists can succumb to the seductive, yet detrimental aspects of celebrity. Drake acknowledges the internal conflict that artists often face, voicing the dichotomy between pursuing success in the music industry and preserving one’s mental health and personal relationships.

Intimate Confessions and Suicidal Metaphors

The lines ‘Lookin’ in the mirror, I’m embarrassed / I’m feelin’ like a suicidal terrorist’ reveal a deeply personal struggle. There’s a disarming honesty in equating his reflection with embarrassment, suggesting that the image projected to the world and his genuine self are at odds. This couplet throws us into an existential quagmire where Drake confronts his thoughts of self-destruction amidst the nauseous thrill of imminent success.

By invoking such a startling metaphor, the rapper drives home the mental stakes of his fame. His career, while it may be on an incline, comes with an emotional cost that is threatening to his personal well-being. The gravity of these lines indicate that the internal war Drake faces has high consequences, highlighting the destructive potential of his path.

The Velvet Rope: Unveiling the Hidden Meanings

Beyond the personal musings, ‘Buried Alive Interlude’ contains allusions to the broader culture and sly nods to fellow artists. As Drake ruminates on the nature of the music industry, he touches on the yearning for materialistic rewards and the undeniable draw of celebrity friendships, as encapsulated by the evocative ‘Bright lights and Rihanna as a lady friend’.

While these references might appear to be name-dropping at a surface level, they serve a greater purpose. They unveil a critical understanding of the mechanisms of the music industry, where connections and status symbols are pivotal. Drake exposes the facade of fame, understanding its pitfalls, and illuminating the constructed reality in which many artists find themselves ensnared.

Swallowed by the Matrix: The Unreal Reality of Stardom

The allegory deepens as Drake depicts his entry into a scene straight from ‘The Matrix’, suggesting that fame has thrust him into a surreal, engineered existence. There’s a duality at play, where living ‘in the matrix’ means both enjoying unprecedented access to lavish lifestyles and being subject to an orchestrated reality, far removed from the authentic lived experience of most.

By connecting his own seminal moments in the music industry with scenes reminiscent of a cyber dystopia, Drake invites listeners to question the nature of their reality. The track posits that what one may find alluring about fame from the outside is vastly different when experienced from within, echoing a familiar philosophical question about the nature of perception versus reality.

Memorable Lines that Echo in the Chamber of Pop Culture

‘You belong to the people when you’re outside’. This profound statement captures the essence of Drake’s lament. Once outside the confines of privacy, the artist belongs to the masses – his persona no longer his own. Every action is scrutinized, every mistake amplified, and every success dissected. In this light, the public’s idolatry becomes a pressure that can crush the soul of the individual.

The track reaches its zenith with the advice to ‘dig a shovel full of money, full of power, full of pussy, full of fame and bury yourself alive’. These striking lines pack a punch, serving as a grim reminder of the hollowness that often accompanies the pursuit of external validation and excess. In death – metaphorical or literal – one might find the purest form of self, though it is a conclusion that carries with it the chilling finality of surrender.

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